Love Built My Rainbow

On sunny days, kaleidoscopic rainbows form a luminous halo over Niagara Falls. At night, nearby Luna Island once boasted shimmering moonlight rainbows. A rare phenomenon occurring when moonlight strikes the mist, these lunar bows disappeared centuries ago, a casualty of urban development and just about the time love built my rainbow.

Photograph of mural of Niagara Falls, 2010, image Courtesy of the Artist.

Photograph of mural of Niagara Falls, 2010, image Courtesy of the Artist.

Pots of Gold

My rainbow in Niagara County is a different sort of arc. The child of divorced parents, I split my time between two homes, spending the bulk of it at my mom’s on Cayuga Island (see map 1). This suburban oasis was home to both sets of grandparents as well as several aunts and uncles. Located a few miles upstream from the falls, the island encompasses 200 acres of riverfront property, a few hundred houses and a large park. Once considered as a site for the 1901 Pan American Exposition, it was my magical playground.

My dad’s home was further north on Creek Road in Youngstown (see map 2). In this bucolic landscape, my brothers and I spent weekends exploring the woods behind the house or frolicking in Four Mile Creek. As I wandered the countryside, my imagination took flight, creating what became some of my fondest memories.

Most of my childhood was spent alternating between these two idyllic spots on either end of my personal rainbow.

Above: Map 1 - Cayuga Island off the mainland of Niagara Falls, in the Niagara River. 111 Council is where I grew up with my mom. Just across the “little river” is Love Canal. You will notice in the map that Love Canal does not appear to go all the …

Above: Map 1 - Cayuga Island off the mainland of Niagara Falls, in the Niagara River. 111 Council is where I grew up with my mom. Just across the “little river” is Love Canal. You will notice in the map that Love Canal does not appear to go all the way to the river but the blank land does. The toxins are still buried in that land but they renamed it when they built the LaSalle Expressway.

Cayuga Island - One End of My Rainbow

There is only one drawback to living on Cayuga Island. It is less than 100 feet from Love Canal. Remember in the late 1970s, when the toxic dump contaminated an entire neighborhood beneath it?

Yep, that Love Canal! A stone’s throw away, Cayuga Island was never evacuated or even tested for chemical contamination. A 30-foot “little river” divides the island from mainland Niagara Falls, right at the point where Love Canal converges with the Niagara River and the “little river.” (See map 1).

On warm summer nights, I sat in my best friend’s backyard, around a bonfire, gazing across the “little river” to Love Canal. Tall grassy mounds and a rusted chain-link fence lined the shore on the other side, dubious protection from a toxic dump.

Growing up, I always knew Love Canal represented something terrible, but it was not part of the typical discourse about living on Cayuga Island. Living there meant family gatherings, playing outside with friends, and looking out at the mighty Niagara River. Our picturesque, secluded neighborhood was a comfortable distance from the bustling mainland.

Rural Life  - The Other End of My Rainbow

Danger was the farthest thing from my mind when I played in the woods behind my dad’s house. 

But later in life, I discovered the frightening reality. Over half the world’s radium is stored at the Lake Ontario Ordnance Works, just a mile from my dad’s house. My younger brothers, who lived there full time, attended the Lewiston-Porter Schools. The school property borders the radioactive waste site. Anecdotal and factual evidence confirm alarming rates of cancer among workers, school children, and residents. This gives me pause about the woods in which I played as a child.

Recently, I toured the site with my dad. When I was young, we drove past it all the time - 7,500 acres of land. How did we not know it existed? Today, the danger, camouflaged by lush woods, is surrounded by a porous chain-link fence. No signs, just an occasional gated entry. Nothing more.

Above: Map 2 - 3399 Creek Road, my dad’s old house and it’s location compared to the Lake Ontario Ordnance Works, taken from google earth.

Above: Map 2 - 3399 Creek Road, my dad’s old house and it’s location compared to the Lake Ontario Ordnance Works, taken from google earth.

The Man with a dream who created a nightmare  - William T. Love 

How do the two ends of my rainbow connect?  

In the late 1800s, William T. Love began construction of a shipping lane from the upper Niagara River to Lake Ontario, future home of "Model City," an urban utopian society with stunning parks and homes. The shipping lane began where Love Canal met the Niagara River, but when funding dried up, the project was abandoned. 

Eventually, it became a dumping ground for the City of Niagara Falls and chemical companies like Hooker Chemical, resulting in the Love Canal disaster. 

Eight hundred families were evacuated from that area in the late 1970s, and a portion of the canal was capped off. But the homes tainted by toxic chemicals were never removed. Instead, they were bulldozed, dumped into their basements, and left there. 

Little of the area was fenced off. Eventually, residents were allowed to move back, despite the absence of scientific data regarding its safety. But the homes here were relatively inexpensive, good starter homes for many young families. I did not live in this area. But my home on Cayuga Island was just across the "little river," as close to Love Canal as the evacuated houses. No one talked about that. 

Love's proposed utopian society, "Model City," was to be located on the grounds of what is now the Lake Ontario Ordnance Works. By WWII, the land designated for Model City became the government's dumping ground for the Manhattan Project's radioactive waste. It occupies an area of the Lake Ontario Ordnance Works called Niagara Falls Storage Site (NFSS). None of the radioactive material has been removed. 

Until the 1980s, it sat in open silos, exposed to the air. It was a repository for half the world's known radium and also housed a TNT plant and multiple other military facilities, including Nike Missile storage. This site borders many homes and working farms where fruits and vegetables are grown.

From 1967-70, Lewiston-Porter third-graders occupied a temporary school building, allowing for the expansion of the main structure. The interim facility lay literally on top of the Lake Ontario Ordnance Works. These third graders are now in their sixties, but few remain to tell their stories. For those who want answers, no formal documentation exists.

Above: Map 3 - You can see Love Canal and my Cayuga Island home at the Southern end of the map, right on the Niagara River. My dad’s home and the Lake Ontario Ordnance Works/Model City are at the Northern end of the map, and just off the map North o…

Above: Map 3 - You can see Love Canal and my Cayuga Island home at the Southern end of the map, right on the Niagara River. My dad’s home and the Lake Ontario Ordnance Works/Model City are at the Northern end of the map, and just off the map North of that is Lake Ontario. Love’s planned shipping lane is the rainbow.

It wasn’t until I was in my late 20s, that I learned that the woods behind my dad's house, where I played as a child, are only two miles from the Manhattan Project radioactive waste site. Just two miles!

Is it a coincidence that both of my childhood homes were adjacent to two of the most toxic areas of Niagara County? How many people are blissfully unaware of the danger lurking nearby? Unwittingly, they celebrate their luck at securing an affordable home in a nice neighborhood. 

Is our ignorance to blame? Who should be held accountable?

The landscape of Niagara Falls has a long history of exploitation by humans who inhabited it. What if Love had gotten the funding he needed to build the canal and the utopian society? 

This one small edit to history could have exponentially changed the health and well-being of generations to come. Rather than a reckless industrial boom, Love may have created an homage to the glory of nature and the goodness of humankind; and my rainbow might have been a very different place.

UNSEEN opens at the Burchfield Penney. 

I am happy to tell everyone that UNSEEN is getting its day in the spotlight after a delayed opening. On August 14, 2020, you can visit the Burchfield Penney Arts Center and see and hear first-hand the moving stories of the 18 voices of UNSEEN. 

Environmental Artist Opens Multimedia Art Installation, UNSEEN 

at Burchfield Penney Arts Center

New York artist, Chantal Calato’s hypnotic audio and visual installation, UNSEEN examines the mutilation of our environment and, in turn, ourselves.

  • The installation opens on August 14, 2020, at the Burchfield Penney Arts Center - Project Space.

  • UNSEEN takes you behind the beauty of what the world sees when they think of Niagara Falls and into the stories of those who live in the shadow of this region's interminable industrial history.

  • The multimedia installation is a spoken-word symphony of the sights and smells 18 people experienced while living in  Niagara County. 

BUFFALO, NY, August 3, 2020 --  New York environmental artist Chantal Calato opens her moving and hypnotic multimedia installation entitled UNSEEN at the Burchfield Penney Art Center in Buffalo, NY, on August 14, 2020. The exhibition will run from August 14, 2020, through November 29, 2020, per the Burchfield's special operational hours, 11 am to 4 pm - in light of Covid-19.  

UNSEEN is a spoken-word symphony that focuses on the sights and smells that people experienced while living on this toxic land. The 18 voices share the physical and emotional burden of their environment in audio canon. Each voice describes how they were affected by toxins inside their own homes. The stories reveal a haunting similarity in their experiences: the degradation of their relationship with their home and their surrounding environment. 

Calato interviewed 18 residents from different contaminated areas of Niagara County. 

"I wanted to fill the space at the Burchfield Penney Art Center with a soundscape of their interwoven voices and dark personal stories," said Calato. "These voices are the heart of UNSEEN." 

The installation is centered around a typical 1920s bungalow house in the middle of a vast, dimly lit space in the Project Space at the Burchfield. The house comes into focus by a glow of light. Upon close inspection, you will notice the house is made entirely of soil. 

“This house is a home. It’s where people live their lives—eating, playing, talking, watching TV, and gardening. A home is the one place where everyone should feel safe and in control. A home is also an investment, and the last place you would expect to poison your family.” said Calato.

Through UNSEEN, Calato takes the viewer behind the beauty of what the world sees when they think of Niagara Falls and into the stories of those who live in the shadow of this region's interminable industrial history. 

"This installation is deeply personal for me. My brother Joe was diagnosed with multiple myeloma. He lives on a block in Niagara Falls that sits at the edge of Love Canal in a neighborhood with house after house of families dealing with life-threatening cancers and diseases," said Calato. "More than 40 years after toxic waste from Love Canal destroyed this neighborhood, people are still suffering from the chemicals of Niagara's continued industrial legacy.”

UNSEEN is funded by the Global Warming Art Project grant from Ben Perrone and the 'Environment Maze' project donors, administered by Arts Services Initiative of Western New York. Special thanks for the technical support of Microsoft and the MS Surface Studio Pro, used to process the audio for UNSEEN.

Following the Burchfield Penney Art Center’s Covid-19 procedures, attendees will be required to wear a mask while inside the museum. The museum will be open to the general public 11 a.m. - 4 p.m., with early entry hours from 10- 11 am is reserved for seniors and first responders and members.

About Chantal Calato

Calato’s work explores the mutilation that humans have caused to our environment through multimedia installations. Calato grew up in Niagara Falls near the environmental disaster of Love Canal, driving inspiration behind all of her work. 

Calato lives and works in NYC. She recently received the Global Warming Art Project grant which is supported from donations from Ben Perrone and the ‘Environment Maze’ project and administered by Arts Services Initiative of Western New York to fund her largest installation to date UNSEEN, which opens August 14, 2020, at the Burchfield Penney Art Center. Calato’s sculpture, Mt. CECOS, is featured in an exhibition entitled 20/20 Vision: Women Artists in Western New York at the Castellani Art Museum of Niagara University through August 15, 2020. Her website can be found at www.unseen-voices.com.

# # # 

For editorial inquiries, media, video and footage of the 18 voices interviews or to interview the artist, please contact

Jennifer Kite-Powell

Publicist for Chantal Calato

Dantessoma@gmail.com

+ 1 929 442 9696

Unseen Voices

A spoken-word symphony of Unseen Voices is at the heart of the UNSEEN art installation. Each one brings a unique personal story about a period in their life when they lived in a toxic place in Niagara County and how they were and continue to be affected by this.

Unseen would not exist without these stories.

Ursula Zimmerman, Niagara County resident, pointing out on a map where she lived in Niagara Falls during her Unseen Interview.

Ursula Zimmerman, Niagara County resident, pointing out on a map where she lived in Niagara Falls during her Unseen Interview.

Who are the Unseen Voices?

I interviewed 18 people from Niagara County, most of which who have never shared their personal story before in any significant way. I started by interviewing family and friends before the web of people grew outward. It took almost a year to do all the interviews, and the more I told people about the project, the more people would come forward and want to share their story. It almost seemed like flood gates had opened to endless amounts of stories, which spoke to the scale of the problem.

Some of the people I interviewed were part of the original Love Canal Lawsuits and were evacuated from their home in the late 1970’s. They continue to feel the repercussions today. I interviewed one person who lived there in the 60’s well before it broke out in the news that it was toxic. And I interviewed a few people who lived there recently or still do. And some of these people are part of new Love Canal lawsuits. What I found by listening to stories from several decades are that they all experience/d the same issues, regardless of the specific decade.

Love Canal is the most famous of the toxic areas of Niagara County, so it is where I started my interview process. But I also wanted to capture stories from many of the lesser known toxic places which are spotted all over. Some of the people are from the numbered streets off Buffalo Avenue near the Chemical factories, some live in rural Ransomville and Balmer near the Lake Ontario Ordnance Works, which has a massive store of Manhattan Project radioactive waste. Some of the people went to school at Lewiston-Porter which also sits next to the Manhattan Project waste, and some people were even sent to school on top of the Manhattan Project waste site more clearly known as the Niagara Falls Storage Site.

Luella Kenny, former Niagara County resident, and long time environmental activist.

Luella Kenny, former Niagara County resident, and long time environmental activist.

Recording Interviews

Most of the people have lived in the region for their entire life, although a few have moved out of state to escape the area. I traveled back to WNY several times to perform the interviews. I also traveled to Boston, Massachusetts and to a small town outside of Houston, Texas.

Artist Chantal Calato in her NYC studio charting out the interview themes.

Artist Chantal Calato in her NYC studio charting out the interview themes.

Editing Audio

I had so many hours of recorded interviews that each listen took over 20 hours. At first it was so much information that I needed a way to organize it in my head. I started to chart all of the themes that I saw recurring in the various stories. Smells, pets illnesses, cancer, toxic dumping were some of the themes that repeated over and over. But this framework was not enough to edit the soundscape into something powerful. I then spent a solid 9 months listening to the interviews over and over again. Each listen through was painfully sad, but the only real way for me to fully absorb what I was hearing. These are not just themes and stories, these are real lives.

Carmen Hamilton, former Niagara County resident being interviewed for UNSEEN.

Carmen Hamilton, former Niagara County resident being interviewed for UNSEEN.

What I learned

The stories sound eerily similar across all the decades. It makes you question whether we have made any progress.

Every time I speak about the project someone reveals that they themselves or someone close to them has a story to share. The problem is vast when you actually start talking to people about it.

Most people think their health problems or smells in the air are “normal” until they start speaking to their neighbors. 

With all that is going on in the world right now these 18 UNSEEN voices show us the strength and resilience of humans in the face of great challenges.

THANK YOU TO ALL OF YOU WHO SHARED YOUR STORY

Nora Sturtevant Bouvier

Barb Calato

Joe Calato (Father)

Joe Calato (Brother)

Kim Carella

David Ellsworth

Carmen Hamilton

Nancy Duffy Hanover

Patrick A. Jensen

Luella Puccetti Kenny 

Nancy Kulack 

Cynthia Mikula

Betty O’Brien

Meaghann O’Brien

Kathleen Pagkos

Mario Passero

Michael Zimmerman 

Ursula Zimmerman

Behind the Beauty

It’s what’s invisible to the eye that has cast a long dark shadow over the region

and the people who live here

There are nearly 800 waste sites in Western New York*

Niagara Falls, by Ferdinand Richardt, Oil on Canvas, 1856

Niagara Falls, by Ferdinand Richardt, Oil on Canvas, 1856

A State Park and a National Heritage Area

In July of 1885 then Governor David Hill dedicated the land flanking the falls to be Niagara Falls State Park. It is the oldest state park in our nation. The park was designed by Frederick Law Olmsted and was created to protect the natural beauty of the falls from the continued industrialization of the riverfront. With this Niagara Falls became a symbol for public parks across the country.

In 2008 congress designated Niagara Falls, Lewiston and Youngstown a National Heritage Area. It has the unique characteristics of historic, cultural, and natural resources combining to form cohesive, nationally important landscapes.  Unlike national parks, National Heritage Areas are large lived-in landscapes.

A Symbol for the Nation

During President Obama’s 2013 inaugural luncheon themed “Faith in America’s Future” this painting “Niagara Falls” by Ferdinand Richardt hung above the head table. It hung as a grand gesture holding Niagara Falls up as an icon representing the magnificence of our country. When I first watched this event on tv I was actually a bit teary, feeling proud of my home town. Although as  I thought about what it meant to use this image in that context I realized that this was not the reality of the Niagara I grew up in, but rather a fantasy of what we wish it still was.

The Niagara in that painting is long gone. If you were to look just outside of its gilded frame today you would see a city that has been in extreme decline for decades. If you drive around the city it is impossible to miss the abandoned factories and overgrown empty lots. Street after street of homes completely falling apart are a clear reflection of the magnitude of poverty. And with a population that has fallen to about 48,000, it should technically no longer qualify as a city.

Caption

Caption

Behind the Beauty

In 1885 Nikola Tesla and George Westinghouse built the first hydro-electric power plant in Niagara Falls. With that invention, they ushered in a new era of industrial productivity and simultaneously kick-started the degradation of the Niagara region. For more than 120 years, the industry of Niagara Falls has polluted and poisoned the air, water and soil and the people who live there.

The manufacturing of abrasives, plastics and chemicals created toxic byproducts that were dumped in waterways, marked and unmarked landfills, concrete silos, and even over Niagara Falls. It produced nearly 800 known waste sites in Western New York. On average, there's one waste site for every 1500 people and one roughly every three and a half square miles. Think about that - every 3 and a half miles that you drive on a daily basis is, on average, passing a new waste site. And 38 superfund sites sit within a half-mile of a public school. Tragically, more than half the world's radium is buried within a mile of the Lewiston-Porter schools.  

And, it’s not over. 

The highest elevation in Niagara County is Cecos International Landfill. It continues to grow every day. The only active hazardous waste landfill in the Northeast is Chemical Waste Management in Niagara County, where Tom Brokaw's desk was dumped in 2001 after he opened a letter tainted with anthrax. Love Canal, which destroyed Niagara in the ‘70s, continues to poison the community while new lawsuits continue from people who are sick.

Radioactive waste from the Manhattan Project is still with us. In 2018, the Buffalo News reported 100 cubic yards of radioactive dirt in Niagara Falls State Park. There were no signs notifying the public as 12.9 million visitors and local residents walked past piles of radioactive dirt merely covered by sheets of plastic.

This reckless, continued dumping affects generation after generation. Until we take stewardship of our land, waterways and air, our communities will continue to suffer in this toxic soup.

What Can We Do?

Learn about Your Environment: We can all become more educated about what we are living near and how this may affect our health.

Mapping Waste - Setting the Stage to Clean-Up Niagara http://regional-institute.buffalo.edu/wp-content/uploads/sites/3/2018/06/Full-Report_Dec_2012_with-Maps_FinalReduced.pdf

A superfund site is a site potentially harmful to life. Not all waste sites are superfund sites. You can find out if there are any Superfund sites near where you live: https://www.epa.gov/superfund/search-superfund-sites-where-you-live

Air and Soil Testing: If you want to test the air or soil in your home or neighborhood connect with Citizen Science Community Resources. They can provide you with the knowledge and a kit for how to do this. People often test the soil in their yard if they want to plant a vegetable garden. 

https://csresources.org/

Choose Non-toxic Products: Take more care in choosing the products that you consume. Learn more about your cleaning products, beauty products and children’s toys for example and what chemicals they are made from. You can make safer choices by doing a little research. Check out https://www.greenamerica.org/ for green living advice. 

Reduce, Reuse, Recycling: We sometimes forget these three words were placed in order of importance. People often think recycling is the answer, but it actually takes a lot of energy to recycle and contributes to climate change. Think more about the lifespan of the things you consume and what will happen to them when you are done with them. Try not to use single use items whenever possible. Everything ends up in a landfill eventually. Landfills release methane, which is also a huge contributor to climate change. For more info on Reducing and Reusing Basics and Benefits visit:

https://www.epa.gov/recycle/reducing-and-reusing-basics

Let’s all try and do our best by protecting our planet and the health of future generations!

Thank you to Jennifer Kite-Powell for editing this blog.

 

All the Designs Un-seen

UNSEEN models and process work in Artist Chantal Calato’s NYC studio.

UNSEEN models and process work in Artist Chantal Calato’s NYC studio.

Typically the visual is at the forefront of my creations as an artist, but UNSEEN turned everything on its head for me. Given the scope of this project along with the fact that it is deeply personal, it took me quite a long time to land on a visual design for UNSEEN. 

When creating sometimes ideas come almost instantly with very little thought while other times the ideas need time to evolve and shape shift while I figure out what is at the core of what I’m trying to say. 

But now that I’ve landed on a design and it is near completion, I thought it would be fun to go back through the process and share what I went through to get where I am. 


Welcome to my brain - Here are all (most of)

the designs Un-seen


Design 1

I had no venue, no deadline, no funding. I just knew I wanted to create something that spoke to how people are affected by toxic waste in their homes. I was thinking about the deterioration of the human body. I had it in my head that this was going to be a series of sculptures made from various fabrics layered and dripping from frames. I made a few tests. None of these exist anymore. I accidentally vacuumed one up… and one crumbled it was so brittle. But that’s not why I didn't continue, this idea lacked depth and was not addressing the real reason I was creating the work. 

Design 1

Design 1

Design 2

I drastically shifted my point of view here.This is where I realized people’s stories were the most important part, and that homes were really important too. 

Below is a model with 22 houses suspended in two lines referencing the shape of the original homes lining Love Canal. 22 thousand tons of waste were buried in Love Canal so the number of houses referenced that. So what about these stories? This is where it got way too complicated. I was going to project little films on each house that were triggered by a sensor when you approached it. You would see a different movie of someone’s life describing their story on each house. Too many technical challenges that were not worth it because the idea was not focused. And still no venue, deadlines or funding… needed to move on from this. 

Design 2

Design 2

Design 2.5

Throw projection of Niagara Falls video across all the houses. This was actually quite beautiful in my tests, and may have a place in my world some day but not for this project. 

Design 2.5

Design 2.5

Design 3

Phones.  Oh, where did they come from? I am not sure I can remember exactly. But if I had to guess phones create both a domestic and intimate experience. They were to be mounted to a glass wall with video projection of the falls behind. You could pick up a phone and hear someone’s story. In theory this idea seemed amazing. Then I visited the New Museum in NYC and there was a phone on a pedestal with a sign to dial a number to hear a poem. It was a Vitto Acconci work of art who I admired and had written a paper on in college. But when I lifted the phone and dialed, the volume of the poem was so faint among the other ambient noise in the museum I knew instantly this would not work for Unseen. The stories needed more presence.

Design 3

Design 3

Design 3

Design 3

Design 4

This is when I thought I had nailed it. This design consisted of two “L” shaped wall structures with close up video projection of the brink of Niagara Falls that wrapped around the inside of each. And within the space a soundscape of people’s voices would play telling their stories. The simplicity of this design was the closest to what UNSEEN needed to be. This design contrasted the beauty of Niagara Falls with the reality of the people living in this city. I spent some time capturing the falls on video and it was pretty exciting. At this point I was honing in on an exhibition space, but oddly the simplicity of the design in reality created very expensive challenges. This design didn’t make the final cut, but I can definitely see it coming back in a later iteration of my work.

Design 4

Design 4

Design 5

And finally there was the map idea. I think I was starting to go crazy at this point. This idea was visually stimulating and received lots of oohs and aahs from people I showed it to. But I knew deep down it was not the right idea. It would have been a map of Western New York with marker flags indicating the 800 waste sites that exist in the region. And YES this is shocking and full of eye candy, but again it distracted from what has risen to the top as the most important part of UNSEEN, peoples stories who have been affected by toxic waste in their homes.

IMG_9402.JPG

Hope you enjoyed a glimpse into my process! Come see UNSEEN’s final design starting April 10, 2020 at the Burchfield Penney Art Center.


The Genesis of Unseen

It was the end of a long nine-hour drive home from Chicago.

I was coming into Niagara Falls over the Grand Island Bridge. Downriver, a brilliant red sunset painted the horizon with the mist of Niagara Falls billowing up into the sky. 

Seeing this beauty, I knew I was home.

But, after a moment I glanced back at the mist for a second look and realized it was not the iconic Niagara mist at all, it was factory smoke pouring billowing out of one of the dozens of chemical factories that line the Niagara River. 

“Ok, well, I’m home”, I thought. 

Years passed, and that memory stuck with me. How could I have grown up in this small city my entire life have mistaken these two disparate parts of the landscape for being one and the same? But I had mistaken and that changed me forever.

I have spent these past 18 years observing, researching and creating art about Niagara County’s toxic legacy. I approached the topic like a data scientist and looked at every angle. I used so many different kinds of mediums - river glass, industrial by products and photography -- to explore my ideas and try and create an understanding of how this came to be.

Niagara Falls Factory Series, silver gelatin print, 8” x 6” , 2014

Niagara Falls Factory Series, silver gelatin print, 8” x 6” , 2014

Forgotten photos

In 2004 I was an art student at the University of Buffalo and took some photos of the chemical factories in Niagara. When I took the photos, I didn’t feel what I feel today, in fact, they barely registered with me. I remember slotting them into negative sleeves, popping them into a binder on my bookshelf and there they sat for the next 11 years. 

But in early spring 2015, I was sorting through some old black and white negatives, and they reappeared as if they had a life of their own. When I pulled the images back out again, I knew exactly why I had taken them. 

These photos became the underlying imagery for a collection of paintings I created later that year called “Missed”.

That summer, I was in a creative frenzy and painted with abandon. I combined the contrary imagery of factories and mist from the falls with that brilliant sunset burned in mind - blurring them all together. It was an epic month of creativity, and I created a series of ten paintings. And that has stayed with me since that time. But in this epic frenzy of creation - ten paintings in one month - there was and even more significant moment that will always stay with me.

 

Painting “Missed” in my garage in 2015.

Painting “Missed” in my garage in 2015.

Now it was personal

I had taken a break from my frenzied painting to spend an evening with my mom. My oldest brother Joe came by while I was there. He walked in and silently sat down on the couch across from us. He wore a ghostly expression on his face. 

He just looked at us and said he was going to die. Joe had just come from the emergency room for pain in his ribs. Some of those ribs turned out to be broken.  But in the end, that didn’t matter because the elephant in the room was he had cancer. 

His hematologist diagnosed him with Multiple Myeloma - a cancer of the blood that is treatable but not curable. He was younger than the typical Multiple Myeloma patient, which was an advantage because he was healthier on the whole, but it also meant he would have to face this cancer for the rest of his life. 

In Joe’s first meeting with his hematologist his doctor asked him if he was from Niagara Falls and if he lived near Love Canal. 

The answer to both was yes. 

His doctor was hesitant to say this was why he had cancer, but he implied it. Joe started treatment as part of a clinical trial at Roswell Cancer Institute in Buffalo immediately. 

Resolute

The next day I walked into my studio with a third of my painting collection still unfinished. I felt like what I was doing was the most insignificant collection of work in the world.

I felt like there were far more important things I could spend my time on. 

But about a week after Joe’s initial cancer treatment, he came to see the work I was doing with these paintings. Still belittled and embarrassed about the significance of the paintings, I tried to explain the concept to him.

Joe then told me something that filled my heart. He said he also used to drive around Niagara taking photos of the dilapidated buildings and factories. He thought what I was doing was really cool. In that one moment of photographic confession between us, something beautiful happened and it pushed me to finish the collection 

The genesis of UNSEEN

After a year of deep thought and contemplation, I decided that the next project I was going to create was called UNSEEN. The project was going to be about people, not factories, or mist or beautiful sunsets but how the people of Niagara have been affected by toxins in their homes and the environment around them - playgrounds, schools, gardens, backyards, basements, bedrooms and front porches with rocking chairs.

UNSEEN would begin with the story of my brother Joe. 

Family and colleagues warned me about the possible repercussions of going down this dark path and how that would affect me. They were right. 

UNSEEN created some of the most difficult challenges in my life both emotionally and physically. But even through those trying moments, I would make the same decision again because this project became more than a work of art or a commentary on the state of our environment and our health. 

UNSEEN developed into a community of genuine voices from Niagara’s toxic underbelly. Stories shared from all across Niagara county that now will never be lost.

In the Summer of 2017 I interviewed my brother Joe for UNSEEN at his house in Niagara Falls

Interviewing Joe in his home in 2017.

Interviewing Joe in his home in 2017.

This was the moment of no return for the inception of UNSEEN. Joe’s story has been the cornerstone of my creation in this multimedia installation. 

I interviewed 18 people from Niagara County for UNSEEN during a 9 month period. Their stories are the heart and soul of the installation.

Many people continue to come forward to have their voices heard. I am grateful to everyone who has volunteered to tell their story.

Four years after Joe’s diagnosis, he is doing well and maintains a rigorous treatment program.

UNSEEN opens at the Burchfield Penney Art Center April 10th, 2020, and runs through July 2020.


UNSEEN is funded by the Global Warming Art Project grant Ben Perrone and the ‘Environment Maze’ project donors; administered by Arts Services Initiative of WNY.

Thank you to Jennifer Kite-Powell for editing this blog.